trilliumsound.comAudio MASTERING Studio - TRILLIUM SOUND Montreal Canada

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Audio MASTERING Studio - TRILLIUM SOUND Montreal Canada Home About Gallery Services Free Trial Clients Clients List Gear F.A.Q Useful Links Contact Trillium Sound Audio Mastering Studio We Are Mastering All Music We Are Creative Because We Listen About Us Richard Addison / Mastering Engineer Richard Addison is the owner and Mastering Engineer of Trillium Sound Mastering. He has been a Montreal (Canada) based bass player and audio engineer for over 30 years. Having arranged and produced hundreds of recordings for many Canadian artists and groups, Richard decided to pursue his real passion : Audio Mastering. Since 2003, he has mastered over 1500 albums and several hundreds of singles for artists and producers from Europe, the United States and Canada. Quality in our services Quality in our services: We aim to maintain the highest industry standards. Achieving the best sonic results from your recordings in ANY audio format desired. All Master CD's, DDP Masters, MFIT files (Mastered For iTunes) are tested through a Quality Control. We know that personal taste and results are highly subjective, a good communication with our clients is the key of success. Quality in sounds and details Quality in sounds and details: Within a good monitoring environment and through the proper use of some processings such as state of the art frenquency equalizers, compressors/limiters and other tools, we are committed to achieve the best results. The sound of an album or specific project can be unified and polished. A good tonal balance for a great translation in any media, clean starts and endings, homogeinity of the overall project and a balanced levels between the songs. Mastering is the last step between your recordings and your listeners, let us help you put your music forward with the best "presentation" possible and give your audience a wonderful listening experience. Ethics Ethics: Consistent, measured processes, honest communictaion in defining what is or what is not possible within mastering of your program material. A realistic view and respectful interaction with our clients is primordial regardless of their music styles or career status. Objectivity Objectivity: Fresh perspective and objectivity! For example, if an engineer works on every stage of a project, from the initial recording to the editing and mixing, some issues may be overlooked due to the engineer's closeness and familiarity with the project and working within the same monitoring environment. Allowing a fresh set of ears in on a project as well as a new listening environment can help provide some incredible insights and revealing important things you or the engineer might have missed along the way. At Trillium Sound, your project is handled by people with great ears and many years of experience in a truly professional an comfortable environment. The importance of proper mastering in today's industry can not be stressed enough. Some Mastering credits Note that that several entries are missing and we are struggling with AMG to add all of the missing credits, so please come back often. Gallery Our Services Mastering / Online Mastering - Complete mastering services for unattended clients. - Fast & secure Online file upload/download services for quick approvals and Masters download. - FTP services available. - Files uploads/downloads by Dropbox, WeTransfer and Hightail. - Payments could be done with PayPal, Interac, Credit cards or Bank transfer. - You are welcome to attend the session. Online Free Trial / Demo An Online Free Trial is offered, send us one of your mixes and we will be happy to make a Mastered sample from it at no charge. Please read our F.A.Q page before submitting your mix otherwise, we might not be able to make a sample and also not having any news from us. It only takes a few minutes to read. If you have any questions or need more information before submitting your mix, don't hesitate to contact us. Try us Mastering Packages - Full length CD (LP) - Short length CD (EP) - Enhanced CD. - Individual song/track (Single). - All Master CD's and DDP (Red Book and Blue Book) come with your ISRC and UPC codes inscribed as well as CD-TEXT. CD-TEXT may contains the album title, song titles, artist name, composer's name etc.. -DDP (Disc Description Protocol) Generic disc image file format commonly used for the transport of mastered audio CD data. - Pre-mastering for vinyl pressing. Consulting We would like to hear your material before the session in order to give you our comments. Communication is one of the keys to getting a great master. Let's talk about your project, your musical tastes and vision so we can target your needs and expectations in a quick and effective way. Recording, mixing, programming music arrangement - For recording or mixing services, please join us at Planet Studios - For music programming and musical arrangements, please contact us at MidiMadness Online Free Trial If you wish to try one of your songs for free of charge, we will be glad to master it and send you a sample. What you should know beforehand... If you wish to try one of your songs free of charge, we will be glad to master it and send you a sample of it. Note that we will master it for approximately 1 to 2 minutes in length. Please read the following, which are the requirements and upload instructions for the Free Trial. We also invite you to read our F.A.Q page for questions, tips and more! No .MP3, .WMA, .M4A ... MP3's and other low resolution audio compressed formats (.mp3, wma etc...) ARE NOT ACCEPTED and we will NOT make a free sample from these, sorry. Please provide at least the minimum required format (16bit/44.1 Stereo Wav or Aiff). The file SHOULD be in a stereo .wav or .aiff format. Before sending us your track, please make sure that no additional processing on the mix bus such as heavy compression and / or limiting for the sake of volume has been applied. We will take care of the volume, just make it sound great and the way you LIKE it without being worried about the volume level of your track/mix. Also, try to keep it at -3db peaks average. This way, we will be able to achieve the highest possible level of quality from the mastering process for your song/track. If compression and / or limiting have been used for volume level purposes, we won't be able to proceed properly and we will not Master a Free sample of your song/track. If compression and / or limiting have been used for volume level purpose, we won't be able to proceed properly so we will not Master it for a Free sample. What we would like to know from you Let us know a little about your tastes, your musical influences, favorite artists and CDs. This will be integral information in helping us target your goal. Communication is the key! You are now ready to proceed... Send your file: Our Works Some albums covers or see our clients list here Our clients List 1-2-3 37Degres -A- David A. - Actionmen - Admirals - After Alice - Shadmehr Aghili - Aitzetmuller - Jason Albertini - Alfa Rococo - Alife - Jamie Allen - Rick Allison - Alma - The Amazing Cropdusters - Amber Dawn - Fabian Anderhub - Ange Akou - Angela Parker - Angels in Anarchy - Appalaches - The Arbitrarys - Chantal Archambault - Ariel - Martin Arriola - Marie-Pierre Arthur - Jane Ashworth - AUB - Auklair - A.V.P -B- Jason Bajada - Bajahreke - Chuck Baker - Frederick Baron - Be Astronaut - Beat Market - Trio Jerome Beaulieu - Abeille Beausoleil - Dany Bedar - Melissa Bedar - Cindy Bedard - Bellboy Records - Bellflower - Bernadette - Bernhari - Pat Best - Big Bass - Fanny Bloom - Blou - Bombshelter - Betty Bonifassi - Simon Boudreau - Isabelle Boulay - Sarah Bourdon - Daniel Boyer - Bran Van 3000 - Dani Brazeau - LG Breton - Brigitte M - Bronswick - Stephane Brunello - Ariane Brunet - Buda Funk Munk - BulkHead - John Byrnes - B.M.C -C- Caboose Band - Francis Cabrel - CALL - Caltar Bateau - Calvaire - James Camies - Canyon - The Cardinal Dream - Manu Carre - Cargo Culte - Valerie Carpentier - Cat and a Bird - Chris Catena - Chapeaumelon - Chris Chappell - Gregory Charles - Charlie and Hash - Marc Chaunet - Cherry Cherie - Tom Chicoine - ChienVoler - Chocolat - Nathalie Choquette - Nicola Ciccone - Circle Four - Clermont - Coco Melies - Cris Coleman - Colombe - Chris Cowie - Complane - Copper Mountain Stringband - Corneille - Sylvain Cossette - P.A. Cote - Chris Cowie - Les Croches - Stephane Crytes - CTV Television Network - Daedalean Complex -D- DaMention - France D'Amour - Paul Daraiche - Lola Dargenti - Dark Light - Darkwor - Davodka - Dear Criminals - Brent DeLeo - Marie-Alice Depestre - Marc Dery - Mathieu Desy - D.JSoul Martin Deschamps - Devium - Frederic Delorme - Dimension X - Celine Dion - Karim Diouf - The Downriders - DeNiro - Sara Dufour - Diane Dufresne - Marc Dupre - Dirty Penny - Dreamcatcher - DUBB - Duke Squad - Sara Dufour - Duo Beija-Flor - Angelique Duruisseau -E-F- Echo-X - Edwar 7 - Carl Eichman - Elisapie - Eliza - El Motor - Empra - Enfant Elefant - Erimha - Everen - Exit 245 - Eye Rhyme - The Fabs Habs - Antoine Fafard - Fariman - Felice - FELP - Jean-Pierre Ferland - Mark Finnie - Flugzeug - Fobia - Fonkynson - Foret - Forever Gentlemen - Fred Fortin - Fudge - Tomas Furey -G- Gaele - Melanie Gagnon - Galaxie - Gammarays - Garash - Garbanzo - Germa - Bernie German - Ghisdou - Ghostnaut - Eric Giguere - Louis-Philippe Gingras - Le Godemichet - Henri Godon - Robin Gorn - Gotta Lago - The Gourishankar - Grand Marquis - Felix Gray - The Great Novel - Jean-Michael Gr?goire - Gerry Griffin - Gros Mene - Groupe Contact - Guitartare -H-I-J-K- Amelie Hall - Georges Hamel - Harmonijkowy - Helvetia - Aaron Hendra - HEROIK - Hey Sugar - The High Dials - Steve Hill - Hotel Morphee - Lizzy Hoyt - H'SAO - HUIS - Rick Hughes - Jimmy Hunt - Kurt Hustle - Hymnosis - IMA - Inbalance - Inner Odyssey - ISOS - Maria Janice - Jipe Dalpe - John Jed - Jiles Band - Jipe Dalpe - Les Julian - Florence K - Kaos Moon - Karcius - Karfagen - Manu Katche - Ian Kelly - Key OG - Nathalie Khoriaty - Price King - Klatu - Lisa Komlos - Korum - KROY -L- Liz Labelle - Simon-Pierre Lacasse - Gotta Lago - Valerie Lahaie - Vivien Lalu - Mathieu Landry - Eric Lapointe - Stephanie Lapointe - Daniel Lavoie - Laurie LeBlanc - Le Couleur - Joel Legendre - Lemmiwinks - LeShark - Maryse Letarte - Life Story Records - Lila Dit Ca - Johnny Lima - Paul Lizzi - Martin Lizotte - The Lokondes - Lolas - Ducie Lorion - Los-Yegueros - Lucky Uke -M-N- Mabi - Paul Maco - Magilah - Manhaus - Marie-Mai - Antoine Mainville - Maison Brume - Magillah - Matt Mallet - Les Malpris - Michel Marchildon - Marcie - Renee Martel - Etienne Mason - Julie Massicotte - The McDades - MMCircle - King Melrose - Maxime Menard - Dominica Merola - Mescal - Mic Life - Milk And Bone - Nicola Minotti - The Morph-Tet - Morthouse - Mukagee - Chris Mulligan Band - Musicor - Mystery - Nadja - Nation Ruckus - Neurone - Alex Nevsky - NIL - Ninth9State - NIPO - Nocturnal Divinity - Caroline Noel - Norvaiza - Notta Comet - Not Without Johnson - NSC Records -O-P-Q- Offset - Aurelia O'Leary - Once Named Sam - ONY - Oshy - O'XL - Jonathan Painchaud - Marc Paquette - Kevin Parent - Pastel - Passwords - Paupiere - PEAKS Entertainment - Mario Pelchat - Fred Pellerin - Pepe Bahia - Peter Peter - PG-13 - Pictorial Wand - Plastic Utopia - Plum Shark - Polska B - Valerie Poulin - Prince Koloni - Prohibisong - Prosad - Anic Proulx - Maxime Proulx - Mireille Pruneau - QWAARN -R- Manu Ramesan - Random Recipe - Raton Lover - Red Pines - Duo Resonance - Retroheads - Reuben War - Zachary Richard - Yannick Rieu - Leo Roche - Rock & Roll Television - Rod le Stod - Rosematter - Carlos Rotsen - Rust Eden -S- Samito - Lea Sanacore - Sant Ange - Laura Sauvage - Scan_Carriers - Jeff Scott - Sergeant Dreamin - Serotonin Sages - Sea5on - SENS - Catherine Servedio - Shadrane - Les Shrimps - Shyre - SKA Banquet - Silver Pools - David Simard - Slender - Smelly Pedros - Smotherbox - Angela Solo - Solid State - The Something Changes - The Sometime Favorites - Sophomore - Spaced Out - The Spectors - Eric Speed - Splitting Lilith - Spoon Licker - SRC (Societe Radio-Canada) - SROD - Mario Saint-Amand - Pascal Stik - Martine St-Clair - Eric St-Laurent - Karine Ste-Marie - Johnny Stoll - Stonemaker - SuddenFlames - Summersett Fred - Supermassive Quazar - Sweetbriar - Molly Sweeney - Sweet Mother Logic - Swiss-Austria - Les Swompards de l'Est - Syrah -T- Talkshop - Tako Tsubo - TAO - Damien Poupart-Taussat - Vasily Taranov - tbONE - Terrato - Alek Thellend - Linda Thalie - Vincenzo Thoma - Kevin Thompson - Thus Owls - Tina-Eve - Tomorrow Ever After - Marie-Chantal Toupin - La Tournee du Bonheur - Tous Azimuts - Transcend - Tremblay - Mara Tremblay - Tribal Bus - Trusted Waters - Brock Tyler -U-V- ULC - Unicorn Records - Urban Heat - David Usher - Vincent Vallieres - Vegas Soul - Amelie Veille - Venture - Simon Vezina - Vidal - Villainizer - Annie Villeneuve - Marco Volcy - Roch Voisine -W-X-Y-Z- Andree Watters - Wave Brainers - Wavelength - We Are Wolves - Christine Williams - Le Winston Band - WISER008 - Wizaard - X-Cabs - Xinema - Yael - Nikki Yanofsky - Patrick Zabe - Ziban Nation OurGear Monitoring QUESTED V3110A Full Range Monitors 2 X SOUND ANCHORS custom Stands Conversion PRISM Sound DREAM ADA-8 AD/DA with Firewire and AES I/O cards Digital Processing WEISS EQ1-MKII 7 band Parametric Equalizer FLUX, FabFilter and SONORIS plugins Analog Processing SHADOW HILLS MASTERING COMPRESSOR Dual Mono Optical & VCA MASELEC MLA-3 Mastering Multi-Band Compressor BUZZ AUDIO REQ 2.2 Dual Mono Mastering Parametric Equalizer ALAN SMART C2 (modified) Dual Mono Compressor MASELEC MPL-2 Stereo Peak Limiter & HF Limiter AVALON AD2055 (modified) Class A Dual Mono Parametric Equalizer DAW Magix SAMPLITUDE Professional 11 Steinberg WAVELAB 6 PLEXTOR Premium CD burner Playback All digital file formats PHILIPS CD-471 CD player TASCAM DA-40 DAT F.A.Q Page Q1: What is Audio Mastering? Mastering is the last step in making a recording into a final audio product. This includes assembling the tracks and using the best-available audio equipment such as equalizers, compressors, limiters etc, if needed. A great monitoring environment is a MUST for mastering. This includes the acoustics of the room as well as having exceptional audio monitoring equipment and years of experience. Q2: How does it change the sound of a track? Balance! The mastering process gives the recording whatever it is lacking. For example, if it's too bright, mastering can tame it down, if it's not punchy enough, mastering can make it thump! It can change the texture of a track by a little or a lot, depending on what is necessary and what the potential of the mix is. The mastering process also adjusts the overall volume and tonal balance of the entire CD project. Q3: What are the benefits of having an album professionally mastered? Presentation! Whether it's a single or an entire album, mastering makes the sound of the project more impressive and commercially competitive. If the CD is played on the radio, in a club, on TV or in your living room, it will sound as good as it possibly can. The goal of mastering is to bring the sound of the project to its highest possible level, provide a great presentation and to create a quality-controlled master CD that is ready for mass replication or duplication. Q4: What can you do to improve my music? Nothing! The music is what it is. The mastering process can only make the presentation "commercially ready", more accurate, impressive and sounding as good as possible. Q5: What is the best resolution and format for my stereo mix tracks to be at? The files should be sent in STEREO WAV or AIFF format with a minimum bit and sample-rate of 16/44.1kHz. The result will be even better if the final mix is printed at the same native resolution as the recordings. Do not use any dithering if the bit rate has not changed. Q6: What I should NOT do to my Mix to get it ready for mastering? Do not use any compression, limiting or maximizing on the final mix FOR THE SAKE OF VOLUME. This really limits the available mastering techniques and the dynamic range of the final product. In short, do not try to "pre-master" your mixes. Q7: What should I do to my mixes to get them ready for Mastering? Have it recorded and mixed at the highest affordable quality with the peak level hitting about + or -3db at the most. This will leave enough headroom to achieve the widest range of sonic possibilities and allow the engineer to manipulate the dynamic range of the song effectively. Make sure the audio does not clip (never hitting 0db) anywhere on any individual track or on the final mix. Do everything you can to make your mix sound its best WITHOUT worrying about the final volume. Q8: What about the volume? Do not have your mix too loud. Overall volume level or apparent loudness is always an issue with today's releases. This is commonly referred to as the "Loudness war". Louder audio material always seem better in comparison with softer material, but when comparing at equal apparent volume, the latter wins both sonically and dynamically. Unfortunately, it has now gotten to the point where many artists end up sacrificing sound quality for volume level. Therefore, if you still want LOUD, we certainly can take care of it. If an album is too loud, it has lost some of its dynamic range. This means that the quiet sections of a song are just as loud as the loudest sections. This creates a two dimensional sound that no longer represents the emotion that the artist originally intended. The creative impact of the moment is then lost for the listener. It's a fine line where volume is at its optimal level and where it begins to compromise the quality of your project. Let's talk about the final "levels" for your project before we get to mastering and we will find the best of both worlds for your music. Q9: How long is a Mastering session? It depends, it usually takes between 6 and 8 hours to complete a full-length project (10-12 songs or around 40 minutes of audio). More songs will take more time even if the total length of the project is the same. On average, an individual song can take anywhere from 20 to 45 minutes to complete, not including the time it takes to finalize the project/song alignment and order, fades, CD-Text, ISRC and UPC codes. Finally, the master must be listened to from beginning to end as a final quality control before it is sent for replication. _____USEFUL LINKS_____ 1- All About ISRC Codes 2- Gracenote Database - CD Titles not showing on computer? 3- Using iTunes to submit info to Gracenote 4- All About CD-Text 5- Duplication vs Replication 6- Red Book Audio CD standards 7- Mastered For iTunes - MFIT Contact us Trillium Sound Mastering 6555, av Papineau Montreal, QC H2G 2X3 Canada tel: (438) 390-2236 email: info[AT]trilliumsound[DOT]com Drop us a Line ? Copyright 2016. All Rights Reserved.

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Domain Name: TRILLIUMSOUND.COM Registry Domain ID: 128958377_DOMAIN_COM-VRSN Registrar WHOIS Server: whois.enom.com Registrar URL: www.enom.com Updated Date: 2014-11-19T20:27:11.00Z Creation Date: 2004-09-01T21:13:48.00Z Registrar Registration Expiration Date: 2016-09-01T21:13:48.00Z Registrar: ENOM, INC. Registrar IANA ID: 48 Domain Status: clientTransferProhibited https://www.icann.org/epp#clientTransferProhibited Registry Registrant ID: Registrant Name: RICHARD ADDISON Registrant Organization: TRILLIUM SOUND Registrant Street: 3-908 AVENUE DESNOYERS Registrant City: LAVAL Registrant State/Province: QUEBEC Registrant Postal Code: H7C 1X3 Registrant Country: CA Registrant Phone: +1.4383902236 Registrant Phone Ext: Registrant Fax: Registrant Fax Ext: Registrant Email: TRILLIUMSOUNDⓜGMAIL.COM Registry Admin ID: Admin Name: RICHARD ADDISON Admin Organization: TRILLIUM SOUND Admin Street: 3-908 AVENUE DESNOYERS Admin City: LAVAL Admin State/Province: QUEBEC Admin Postal Code: H7C 1X3 Admin Country: CA Admin Phone: +1.4383902236 Admin Phone Ext: Admin Fax: Admin Fax Ext: Admin Email: TRILLIUMSOUNDⓜGMAIL.COM Registry Tech ID: Tech Name: RICHARD ADDISON Tech Organization: TRILLIUM SOUND Tech Street: 3-908 AVENUE DESNOYERS Tech City: LAVAL Tech State/Province: QUEBEC Tech Postal Code: H7C 1X3 Tech Country: CA Tech Phone: +1.4383902236 Tech Phone Ext: Tech Fax: Tech Fax Ext: Tech Email: TRILLIUMSOUNDⓜGMAIL.COM Name Server: NS207.CANADIANWEBHOSTING.COM Name Server: NS208.CANADIANWEBHOSTING.COM DNSSEC: unSigned Registrar Abuse Contact Email: abuseⓜenom.com Registrar Abuse Contact Phone: +1.4252982646 URL of the ICANN WHOIS Data Problem Reporting System: http://wdprs.internic.net/ >>> Last update of WHOIS database: 2014-11-19T20:27:11.00Z <<< For more information on Whois status codes, please visit https://icann.org/epp The data in this whois database is provided to you for information purposes only, that is, to assist you in obtaining information about or related to a domain name registration record. We make this information available "as is," and do not guarantee its accuracy. By submitting a whois query, you agree that you will use this data only for lawful purposes and that, under no circumstances will you use this data to: (1) enable high volume, automated, electronic processes that stress or load this whois database system providing you this information; or (2) allow, enable, or otherwise support the transmission of mass unsolicited, commercial advertising or solicitations via direct mail, electronic mail, or by telephone. The compilation, repackaging, dissemination or other use of this data is expressly prohibited without prior written consent from us. We reserve the right to modify these terms at any time. By submitting this query, you agree to abide by these terms. Version 6.3 4/3/2002 Get Noticed on the Internet! Increase visibility for this domain name by listing it at www.whoisbusinesslistings.co